With usual Godardian insouciance it’s all filmed in contrasty black-and-white, in and around contemporary Paris, but its enduring attraction is the combination of don’t-care larkishness, amiable massive lug Eddie Constantine undertaking his rough-dude matter, in addition to a profound underlying seriousness drawing cogent connections in between the brutality of fascism https://www.youtube.com/watch?v=vf5KlMQEINY&t